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Wait, Sabrina Carpenter’s aunt is the voice of Bart Simpson

Nancy Cartwright is a relative



Excuse me if this was common knowledge and I just had no idea but hello, SABRINA CARPENTER is the NEICE of NANCY CARTWRIGHT?!

The voice of Bart Simpson herself is a direct relation of the rising star, who put out the two-part Singular EPs in 2018 and most recently hit headlines with her new single Skin.

She was on Capital FM today talking about her “awesome” relative, and said relative responded on Twitter saying it “made my day”.

“My whole life, that was just the coolest thing in the world to me,” Sabrina said.

“I wasn’t even allowed to watch the show until I was a little bit older, but the woman is a woman of many talents, not just Bart.”

Watch the clip below.

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Top 20 scripted TV shows of 2021



My movie-watching might have been crap in 2021 but lord I was SWIMMING in amazing telly, and this list below represents my very favourite stuff. Another shitshow of a year in The World but WHAT a year for small-screen excellence!!!!

Honestly the rankings here are almost completely redundant, you could reshuffle them all completely and the ordering would still stand. I’m just a creature of habit, yaknow? And for a millennial gay, that habit means: listicles.

You can see my singles of the year here, albums of the year here, and films of the year here.

For what it’s worth, my previous telly year-end No1s:

2016: Brief Encounters [blog]
2017: Crazy Ex Gilrfriend [blog]
2018: Derry Girls [blog]
2019: Pose [blog]
2020: Never Have I Ever [blog]

Here we go…

20. The Chair (Netflix, August)

Sandra Oh was so, so good in this really loveable six-parter; about the first woman to be appointed chair of the English department at a kinda stuffy university. David Duchovny has a really fun guest turn as a heightened (I assume) version of himself, and Holland Taylor is also, as ever, a riot.

19. The Flight Attendant (NowTV, March)

The pulpy, quick-witted tone to this thriller was SO up my street; and if it really kicked itself up a gear in the second half of the season with a string of breathtaking cliffhangers and delicious twists. Kayley Cuoco is perfection as the chaotic Cassie, and I also loved Michelle Gomez in her sinister-ish supporting role.

18. Starstruck (BBC Three, April)

Rose Matafeo and Alice Snedden’s scripts are packed with big laughs and big heart here; and Matafeo makes an amazing lead. Starstruck puts a more modern, gender-flipped spin on Notting Hill and is a real sitcom highlight of 2021.

17. Vigil (BBC One, August)

I love a good plotty, twisty, blockbuster thriller; and Vigil filled that void perfectly in the autumn. With Suranne Jones trapped on a submarine trying to solve a murder whilst getting on everyone’s nerves, and Rose Leslie back on dry land trying to get to the bottom of all sorts of political clownery, there were plenty of gasp-y moments right up until the very end – including an extremely tense cat-and-mouse chase through gas-ridden corridors in the finale.

16. White Lotus (NowTV, August)

Come for the Jennifer Coolidge memes in their original context; stay for the biting social commentary. White Lotus keeps the tension rife from start to bitter end, via a carousel of deeply, deeply (deeply, deeply, deeply) flawed rich people making a glittering array of shit decisions. The best kind of uncomfortable.

15. Landscapers (NowTV, December)

Just when you think Olivia Colman has already hit a career high… OOP! There’s another. Landscapers’ theatricality is its ace; director Will Sharpe putting slightly surreal, fourth-wall-breaking spins on Ed Sinclair’s wonderfully wry script. The fact it has two actors at the very top of their game front-and-centre (Colman and David Thewlis) is just another string in its bow.

14. Feel Good (Netflix, June)

How do you follow a perfect first season? With a perfect second! Mae Martin’s sadcom is as sad and com-y as ever; a perfectly executed blend of big laughs (shout-out Jordan Stephens for a very good guest turn) and hefty emotional beats that leave you in a deep state of contemplation over your own existence and past traumas. Dreamy.

13. Unforgotten (ITV, February)

We won’t talk about THAT ending, no ma’am! But safe to say Unforgotten was – yet again!!!! – on brilliant form; bringing together a raft of potential suspects and watching them all squirm under the weight of the grave missteps they thought they’d managed to escape. I think I’m excited about a fifth season, but… if you’ve seen the ending, you’ll know why I’m also in a grump over it.

12. Schmigadoon! (AppleTV+, July)

I’m not a massive musical theatre buff – which is to say, I didn’t get every reference here – but I still had a fucking blast. A loving send-up of all singing, all dancing classics, it sees a bickering couple getting lost on a hike and finding themselves trapped inside a musical. There are so many great supporting turns, but Cecily Strong in particular is the perfect lead. I would very much welcome another season.

11. Never Have I Ever (Netflix, July)

My favourite show of 2020 returned for its glorious second year, and these characters continue to be a hell of a lot of fun to spend time with. Maitreyi Ramakrishnan hopefully has a huge A-list career ahead of her, and Poorna Jagannathan as mum Nalini can do no wrong. Kylie playing over the final scene of the final episode was just… ugh. Chef’s kiss.

10. Girls5eva (NowTV, December)

This only dropped in the UK mere days ago so I haven’t finished it yet, but it’s already an instant favourite. One-hit-wonder girlband reunites twenty years later? SOLD!! The gags in the script are relentlessly funny, and the cast are all magnificent. Renée Elise Goldsberry in particular has me howling with every line.

09. Maid (Netflix, October)

You’d expect a drama about domestic abuse to end with the sufferer leaving – but in this case, that’s literally the first scene. In Maid, we explore what happens next: the hoops you have to jump through and the obstacles you encounter when you’re in a society that does so little for survivors. Where do you go? How do you earn? How do you care for your child? How possible even is it to cut ties with the environment you’ve left behind? Margaret Qualley is phenomenal as Alex, and her real-life mother Andie MacDowell turns in a career-redefining performance that deserves a hell of a lot of awards. Casting Love Simon heartthrob Nick Robinson as abuser Sean was also a stroke of genius.

08. We Are Lady Parts (Channel 4, May)

I’d be quite happy for creator-writer-director Nida Manzoor to take charge of every TV comedy ever. We Are Lady Parts is an intensely funny show about an all-Muslim, all-female punk band trying to make it in London; tackling stage fright, cultural differences, friendship troubles and relationship woes on their attempted route to stardom. So funny, so heartfelt, so warm, and the music slaps.

07. Insecure (NowTV, October)

Insecure was a lockdown 1.0 discovery for me, and I literally finished its final season hours before writing this. As ever, the will-they-won’t-they stuff with Lawrence and Nathan was beautifully done, but it was the friendships that really made this show sing. The whole final episode is, essentially, a tribute to Molly and Issa’s bond; and I’m gonna miss those two – not to mention Kelli and Tiffany – with my whole heart.

06. Sex Education (Netflix, September)

Season three was, I reckon, the strongest season yet for those at Moordale – with the usual mix of heart’n’humour more potent than ever. In such a massive ensemble cast, so many players got their chance to shine without overwhelming the stories: Mimi Keene in particular had a very strong season as Ruby, and I thought Jemima Kirke made for a delicious antagonist. It’s just so colourful and fun and knows exactly how to make you laugh and how to leave you devastated, often within the space of one single scene. It just keeps getting better.

05. Mare of Easttown (NowTV, April)

There’s a moment at the end of Episode 5 when Mare of Easttown goes from “ooh, this is a good show” to “OH SHIT!!!! THIS SHOW!!!!!!!!” (no major spoilers but it involves Mare and Zabel going to visit a shady man in his house). The story is riveting, and only increases in intrigue as the series progresses; and Kate Winslet has genuinely rarely – if ever – been better. Shout-out also to Jean Smart, delivering my favourite supporting performance of the year as Mare’s mother.

04. Only Murders In The Building (Disney+, August)

If it weren’t for the hype, I would never have dug into this show, but I’m SO fucking happy I did. It’s a whodunnit but it’s also a three-handed buddy comedy; it’s a heightened murder mystery but also a genuinely affecting study of loneliness and friendship. I didn’t think a second season would be necessary story-wise, but the end of season one sets it up tantalisingly and I cannot WAIT. I would take a bullet for these three!!

03. Alma’s Not Normal (BBC Two, September)

To be honest, what first caught my attention re: this show was the fact that the narrator of The Circle wrote and stars in it. Sophie Willan is – as Alma herself would say – “fabulous” in this absolute hoot of a comedy: the writing is watertight, with genuine laugh-out-loud moments coming consistently in every episode. The more affecting moments towards the end of the season are perfection as well; always feeling well-earned and genuinely quite hard-hitting. I absolutely adored this programme and urge every fucker to watch it.

02. It’s A Sin (Channel 4, January)

I feel like we all went into this knowing full-well we’d be in emotional smithereens by the end, but what can’t be understated as well is how much joy there is in this show; how much of a sense of community and friendship courses through it. Not only does that make the inevitable tragedy all the more devastating, it also elevates It’s A Sin way, way higher than the sort of misery-porn you might expect from a mainstream so-called AIDS drama. Russell T Davies remains one of the best writers we have, and the cast – many of them previously unknown on an A-list scale – all give phenomenal performances.

01. WandaVision (Disney+, January)

The bad news for Marvel is that now all of their small-screen capers are going to be compared to this; the very first MCU series to be made by the studio. WandaVision has so much fun with the form; paying homage to different generations of TV sitcoms whilst slowly but surely peeling back the mystery of why the hell we’re watching Wanda and the isn’t-he-supposed-to-be-dead Vision in, for example, a black-and-white 1950s-style comedy. For the first half of the season it leaves you scratching your head for just the right amount of time before hitting you with another surprise reveal or clue or bombshell; and it all culminates in the latter episodes with a genuinely exciting climax and an ending that feels spot-on. Kathryn Hahn is nothing short of iconic as neighbour Agnes (if you haven’t seen the show yet, keep an ear out for her incredible song); but WandaVision is about grief more than anything else, and Elizabeth Olsen hits every damn beat. Magic.

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Eurovision odds: Four countries are extremely tight at the top

Tis the season



We’re now – finally – into Eurovision month; so time perhaps to check-in with the bookies and see who the frontrunners are at this crucial stage.

I’ve had half an eye on all the odds since January, when barely any of the songs had been released – and it’s been interesting to see how much (and in some cases, how little) the rankings have shifted since the different tracks have been put out into the wild.

With the majority of different bookmakers, Malta’s Destiny remains the one to beat, though it’s incredibly close. She’s at 3/1 with several companies, according to Oddschecker. If you want more #stats, Je me casse has 1.2 million streams on Spotify and the video has 5.4 million plays on YouTube.

Currently in second place is France’s Barbara Pravi with Voilà. Compared to Destiny, she has a fraction of the video views (1.2 million) but more Spotify streams (3.9 million). She’s on 4/1 with some bookies and 9/2 (4.5/1) with others.

Tout l’Univers by Switzerland’s Gjon’s Tears follows in third; with 5/1 odds from several different bookies. That song has 2.4 million video views and 2.1 million Spotify streams as things stand.

And in fourth place, with 6/1 odds (5/1 from a couple), it’s Italy’s Måneskin with Zitti E Buoni. The rockier number is already a big hit in the group’s homeland and as such has far, far more Spotify streams than its closest competition (24 million). The video has 1.5 million streams on the official Eurovision channel but 19 million on the band’s own. It’s already gone Platinum in Italy – it’ll be interesting to see how it rates with the rest of Europe.

After those four, the odds become a bit more spaced out – last year’s would-be champ Dadi Freyr for Iceland is a distant fifth on around 14/1, about level with former favourite Victoria for Bulgaria.

Lithuania (The Roop‘s Discotheque, 18/1), Sweden (Tusse‘s Voices, 18/1), Cyprus (Elena Tsagrinou‘s El Diablo, 25/1), and Norway (TIX‘s Fallen Angel, 25/1) complete the top 10.

The United Kingdom are, in what will be a surprise for few, miles away from being any sort of threat – our most generous odds are 100/1. James Newman‘s Embers has 1 million video plays and 1.3 million Spotify streams (which, to be fair, is marginally more than favourite Destiny).

Ireland’s Lesley Roy is just behind on around 150/1 – Maps has 964k views on YouTube and 983k streams on Spotify at present.

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Britney Spears can’t believe there are ‘so many documentaries with other people’s takes on my life’

The Battle for Britney: Fans, Cash and a Conservatorship came out over the weekend



On the weekend that another Britney Spears documentary comes out, the star herself has spoken out and it doesn’t sound like she’s a fan.

In addition to Framing Britney Spears earlier this year, there’s also now The Battle for Britney: Fans, Cash and a Conservatorshipcourtesy of the BBC.

Netflix are also said to be working on their own doc.

Posting one of her dancing videos to Instagram, she wrote in the caption: “2021 is definitely way better than 2020 but I never knew it was gonna be like THIS ??? !!!!

“So many documentaries about me this year with other people’s takes on my life … what can I say … I’m deeply flattered !!!!”

She added: “These documentaries are so hypocritical … they criticize the media and then do the same thing ???????? Damn … I don’t know y’all but I’m thrilled to remind you all that although I’ve had some pretty tough times in my life … I’ve had waaaayyyy more amazing times in my life and unfortunately my friends … I think the world is more interested in the negative ??‍♀️??‍♀️??‍♀️ !!!!

“I mean … isn’t this supposed to be a business and society about THE FUTURE ??? ???? Why highlight the most negative and traumatizing times in my life from forever ago ???? I mean DAMN.”

Later in the caption, she refuted a recent claim from Billy B (remember him? He used to pop up on Drag Race every now and then), suggesting she doesn’t control her own social media.

“PSSSS I don’t actually talk to Billy B AT ALL so I’m honestly very confused ??? !!! This is my Instagram !!!!” she said.

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